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Melanie Lynskey and Kate Winslet in Heavenly Creatures.Photo: Courtesy Everett CollectionAnchored by breakout performances from Kate Winslet and Melanie Lynskey, Peter Jackson’s dark psychological drama explores the Denver nuggets nba finals champions slip graphic 2023 shirt What’s more,I will buy this intense, quasi-sexual relationship between two girls that turns violent. Based on the Parker-Hulme murder case that gripped New Zealand in the 1950s, the film’s dreamy, fantastical air explores the imaginary worlds constructed by queer youth to escape their drearier realities—and how those imaginary worlds can also go off the deep end. —L.H. In Sally Potter’s 1992 masterpiece Orlando, Virginia Woolf’s classic novel of a British aristocrat who is born in the Elizabethan era and goes on to live for hundreds of years—oh, and who also changes genders at around the age of 30—is brought to bold and brilliant visual life. Starring Tilda Swinton (and thus making full use of the actor’s striking, androgynous features), the lavishly costumed epic has become a queer classic that continues to inspire generation after generation of artists and fashion designers. —L.H.

Tilda Swinton in Edward II. Photo: Courtesy Everett CollectionAnother director whose canon features a number of queer masterpieces, Derek Jarman’s radical adaptation of Christopher Marlowe’s history play Edward II saw the Denver nuggets nba finals champions slip graphic 2023 shirt What’s more,I will buy this director apply his signature time-hopping spirit to draw parallels between the life of the controversial medieval king and the vibrant spirit of gay life in ’90s London. (The film features both members of a contemporary gay rights organization as Edward’s army, and a cameo by Annie Lennox singing a Cole Porter song to the film’s central lovers.) —L.H. Another classic of the New Queer Cinema movement, Gus Van Sant’s My Own Private Idaho has partly become a cult classic for the magnetism, sensitivity, and sheer beauty of its two leads, River Phoenix and Keanu Reeves, who play two best friends and hustlers on a meandering journey through the Pacific Northwest (and eventually all the way to Italy and back), as Phoenix’s Mikey develops an unrequited love for Reeves’s Scott. But Van Sant’s imaginative and deeply poignant retelling of Shakespeare’s Henry IV is a pleasure in its own right, its sweetness and gentle touches of surrealism coming together to form a heartbreaking ode to young love. —L.H.

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