In the toothless, COVID‑era and still naively happy pre‑war times, between my large sixth and seventh collections, I released two intermediate projects: Voodoo and Sabbat. And the last of them was devoted to a sorcerous mystery, a desperate prayer to the resurrected ancient gods, a spiritual transformation and a mystical somnambulist state - all of this was described by Merezhkovsky. The symbol of this work became a Sacred Heart framed by a guiding polar star, each ray of which represents a magical date of the witch’s Wheel of the Year.

It was 2021. A couple of months after this collection, also known as Hexenkonigin was published, an amazing jeweler Jadie from Ecclesia wrote to me asking if she could use my design to create some new pieces of jewelry. I often receive such requests, but in this case, for some reason, I was sure it was worth it, and I’m glad I wasn’t wrong and that I offered a full‑fledged collaboration.

As a result, the bag called Sidonia gave rise to absolutely amazing necklace and ring, which in turn may have become one of the starting points for the development of her wonderful brand, which celebrates Gothic architecture and Victorian romanticism - a brand that, at the moment, is undoubtedly my favorite. And you can still purchase these pieces of jewelry.