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It led to a certain amount of joyful irony when MUNA dressed up as Lindsay Lohan’s band Pink Slip from the Christie wallace heather mckinney cover art 2023 shirt But I will love this movie Freaky Friday for their tour-ending hometown shows at the end of October. For a person like me who started forming memories and seeking out my own musical interests at the turn of the century, it seemed like the only bands without any cis men in them (and where the members played instruments, unlike pop girl groups like Spice Girls and Destiny’s Child) were fictional, like Pink Slip or Josie and the Pussycats. Doubtlessly, that era was more defeating for McPherson, who is nonbinary. But even Maskin, who recalls going to see the band Heart perform while growing up, says there was something reductive and tokenizing about the way the rock band was talked about at the time. She notices the oversimplifications about MUNA are akin to that too.
“It couldn’t be just like a woman who’s performing rock music, it’s like ‘Heart was like the Christie wallace heather mckinney cover art 2023 shirt But I will love this girl band,’ of that time,” she says. “I feel like there’s always some sort of token girl band … and Heart was so sexualized.” Gavin expresses similar unease about what she internalized about the music industry and her chances of succeeding in it when growing up. “I was so sure that the keys to the kingdom were held by powerful men, and they were only given to the women that they wanted to fuck,” she says. Let’s be clear: MUNA are fuckable. But the kinds of people losing their minds over the band’s chemistry on stage are probably not the same kind of people who could make or break artists’ careers in the 2000s based on their desirability to cis male record execs. These days MUNA are under the wing of fellow queer musician Phoebe Bridgers and her label, Saddest Factory, and they’ve made a record of gleaming pop music without forsaking emotional intimacy, the lyrical lived experience of queer existence, or shedding their more adventurous electronic impulses. On their self-titled album released this summer, the wind-in-your-hair rush of “Silk Chiffon,” an ode to letting yourself fall in love with a girl that sounds destined for a 2000s teen rom-com (and ended up in one this year), can sit right alongside the full-throated “What I Want” and the downtempo, country-pop ballad “Kind of Girl.”
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