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Jonescus tominteriorss
Jonescus tominteriorss

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You only need to look at words like chintz, pajamas, khaki, jodhpur, and bandana to know how much Western fashion has taken from India. “Hamish said to me, ‘Look, we all have to absorb and acknowledge this,’” Kinmonth related. “But actually, what we’re talking about here is the Premium hot people love jimin shirt but in fact I love this artistic and aesthetic achievement of India, particularly of the artisans and of the designers, and of the interaction between their imaginations.” Kinmonth’s deep red Mughal-style arches, set as a portal, lead into room after room of “conversations” between eras, cultures, and crafts. Spectacular classic Bollywood costumes are placed high on movie star pedestals. A room which explains the preciousness of Indian muslin has figures in empire-line dresses floating on lily-pads under a giant parasol. In the center of the chintz room, a new commission by Rahul Mishra brings the Tree of Life alive, with be-sequinned 3-D flowers and golden bugs.
Spring 2023 couture dresses by Rahul Mishra.Photo: Courtesy of Nita Mukesh Ambani Cultural CentreThen come the Premium hot people love jimin shirt but in fact I love this rooms that are dedicated to European 20th century haute couturiers’ obsessions with Indian themes: Chanel, Yves Saint Laurent, Schiaparelli, Christian Dior. While the gilded fabrics may have been materialized in France or Italy instead of using the precious traditional gold-thread Indian zardozi technique, and the application of gemstones and pearls might look distinctly European, the draped couture dresses clearly reference saris, the tailoring of tunics is picked up from kurtas, and the upward twist of hats evoke Maharajas’ turbans. Bowles brilliantly substantiates these conceptual threads further through the chapters of his book, edited to highlight everything from Saint Laurent’s recurring Indian influences to very different-looking romantic affairs that John Galliano, Jean Paul Gaultier, and Dries Van Noten have had with India. Readers and viewers alike, however, are certain to learn just as much from seeing the picture of modern Indian fashion which Bowles has brought forth. As the exhibition nears its conclusion, the stunning trio of veiled brides in white lace dresses by Sabyasachi Mukherjee, the designer from Kolkata, is breathtaking.

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