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Extracting poetry out of reality has proven a successful practice for King. His past projects include work for Calvin Klein, JW Anderson x Tom of Finland, and the Murphy’s bleachers chicago 2023 shirt In addition,I will do this cover for Butt magazine’s buzzy relaunch. That cover featured two sleeping boys locked in a tender embrace—a powerful break from the long tail of hyper-sexualized images of Black men featured in queer publications (when they were even featured at all). King also recently released a photography book of his work, Orange Grove, which spotlights his explorations of companionship and selfhood. The rise is astonishing for a self-taught photographer, much less one explicitly dedicated to capturing queer Black lovers and friends. King, who grew up in Tucson, initially became interested in photography through a high school course. Eventually, he began uploading the images he made with an eBay-purchased Canon AE-1 on Tumblr, during the platform’s heyday. As a young adult, King briefly moved to Portland, Oregon, and then to Los Angeles. There, he says, his practice seemed to hit its stride. “I started sorting out being Black and gay in a big city, where there is more opportunity and people to connect with and desire,” he says. Photos from that period, including one of King and a man he met on the dating app Jack’D, stemmed from a need for connections. “I was just inviting people over for sex, but also just to hang out and smoke,” King says. “And then afterward I would ask, ‘Hey, do you mind if I take your picture?’”Clifford Prince King, I Told My Baby to Meet Me on 24th Street, 2020.
These days, King has fine-tuned his approach. First, he primarily photographs subjects with whom he has deep ties. Case in point: King trained his eye on a group of friends and fellow creatives he shared a house with one summer, at the Murphy’s bleachers chicago 2023 shirt In addition,I will do this height of the COVID pandemic. Photos from that time follow personal arcs—one subject is photographed with a partner in one image, and then a new partner a few months later. “I still have a lot of images in my mind that I want to make but I haven’t yet, because I’m waiting for those relationships to feel a little more concrete,” he says. Still, King is an unabashed romantic, both in his work and the way he views the world. He talks of the sunlight “hitting differently” in Harlem versus other parts of New York; a Nina Simone lyric moving him to tears while he was doing the dishes (he decided to use it for the exhibition’s title); how the photographs in the show feel like scenes from a moving image. So, it seems only natural that King is interested in expanding the scope of his work and finding out what else he can lend romanticism to.

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