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Hhshirt - Panthers forever not just when we win signature shirt

R13 has been blowing up its proportions of late, extending blazers into Lurch-like hoodies and supersizing knits into post-Cobain shapes. For resort 2023, Chris Leba and co. have one of their boldest propositions yet: What if backpacks were pants? Stitched into the Panthers forever not just when we win signature shirt Besides,I will do this sides of already-so-wide leg trousers are backpacks à la Jansport, creating some of the grungiest, baggiest pants of 2022. “It’s about creating dimensions through new forms,” said Leba, pointing at the backpacks worked into flannel shirts and jackets, offering utility and dimension beyond what the R13 customer might come to expect. The function of said pants aside—Leba admits they have yet to try stuffing them with, say, textbooks—the collection continues to bring R13’s grunginess to new, wearable levels. Laddered knitwear, flannel shirts, and repurposed military lining jackets will be easier for the everyday punk to adopt, as will the brand’s ever growing repertoire of supersized and platform shoes. Leba pushed on, “These are all real items, we don’t invent things.” However surreal these shapes are, he’s right about that: R13 is constantly working at authenticity through its reimagining of grunge, punk, alt, and other musically inclined subcultures. Shooting lookbooks has given the brand more control over that image during the pandemic, but it would be cool to see R13 put it forward a little more. Maybe a show next season?
Towards the Panthers forever not just when we win signature shirt Besides,I will do this end of the press preview of this sumptuously progressive show, Grace Wales Bonner mentioned Sankofa. This bird-looking-backwards symbol of Ghana’s Akan people, she said: “means’ ‘going back to go forward.’ It is not about being nostalgic or historical. It’s about taking something from the past in order to pass it forward and make it useful for the future. And that’s the spirit of this collection.” Wales Bonner was speaking in the central courtyard of Florence’s Palazzo Medici Riccardi, a space where one Pitti Uomo executive mentioned in passing that there had never before been a live fashion show. It was as if the Palazzo had been waiting 485 years—the time since it was once home to the first Black head of state in modern Europe—to become the outbound runway for this evening’s Sankofa flightpath.

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