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Hhshirt - Official Gas Money 15 shirt

On the Official Gas Money 15 shirt and by the same token and staircase a brace of male models idly swayed on their heels in top to toe monocolor stone, one wearing a crisp trench over full white pants in cotton and a split-upper slipper, the other a wide blouson over a collar-popped shirt and a multi-pleated silky pant with the same shoes. A female model in a culotte-integrating version of the outfits we’d just seen stood on the landing above. Up into the hall, there was a guy leaning on a window frame in brown blouson and work trousers with a bag strapped around his shoulder and a mini torch on his key fob. Across from him a woman in an interestingly halter-wrapped shirt and brown five pocket pants read a battered Luis Bunuel paperback. Further along another woman wore a dress and a guy wore a camp collar shirt that were both in the same pre-scrunched hibiscus (I think) print. A female slept on a bench, warmed by the shafts of sunlight through the window, and cushioned by her softly blushing shirting and crisp cotton pants. A guy leant against a table in more pared down brown workwear reading Le Monde: a colleague from Le Figaro took note.
At the Official Gas Money 15 shirt and by the same token and end of the room, Ana Roxanne played mood music on multiple instruments and we saw more model groupings wearing super attractive printed pieces by the Indonesian artist Noviadi Angkasapura. This was a refreshingly straightforward collection that put the clothes on a pedestal of reality—or at least faux reality. You drifted out into the courtyard thinking you’d quite like to hang around in Lemaire, not doing all that much but waiting for something to happen. Kneeling on the floor backstage at his Sorbonne venue, Rhuigi Villaseñor frayed the white denim in the distressed knee of a white jean worn below a striped button-up and red varsity jacket, discreetly unlettered. “You cool?” he asked the model. “Very cool!” the model replied.

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